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Writer & Red Dirt Rambler

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How to Love the One You’re With (Even If It’s a Manuscript): Four Tips that Really Work

Posted on 09.23.15 | Holly Robinson | 5 Comments

writing Birch Point on my porchFor many writers, word count is everything. Me, not so much. At the start of every manuscript, I might write 2,000 words one day, only to decide that 1800 of those words should be trashed the very next morning.

This particular book I’m working on now—a novel under contract with a publisher, with a deadline looming like a cliff casting chilly dark shadows—has been more difficult to write than my previous books.

Why is this one so hard?

Maybe it’s because the editor didn’t like my first synopsis and made me write a different one, so I started out with a book idea that felt manufactured. Maybe it’s because my youngest son left for college and I’m helping my mom move. Maybe it’s my husband’s new gluten-free diet.

Or maybe I only THINK this book is the most difficult one I’ve written because I’m only 200 pages into it.

I have to keep reminding myself that this happens to me every time. When I write a novel, I churn out about 200 pages and then encounter this huge brick wall with no way up it and no way around it. The plot is a tangle. The characters and their motivations are muddied. The descriptions are duller than dirt. The emotions elude me. The agent will hate it. The editor will hate it even more.

I hate myself! I’m going to just return that advance money to the publisher and quit this torture!

That’s what I want to say, but I won’t. I’m far too stubborn.

I have also learned to trust the process of writing. Here are four key strategies I use to get me through this crisis in confidence. I hope they’ll help you, too—and, if you have any strategies of your own to share, please do!

1. Start Your Book Somewhere New

For the last three books, whenever I’ve been brought to my knees by the process of pushing word boulders uphill, I start the book somewhere new—generally around fifty pages deeper in, maybe Chapter 3 or Chapter 4. And then, like magic, things start to come together.

 

chance harbor page

2. Ditch Characters Who Annoy You

If a character gives me too much trouble, or even if I don’t particularly like her, I delete her from the book. Few things are as satisfying as using that “Edit” key and finding passages with that inessential character who is cluttering my pages and deleting them. I just did that with my current manuscript, eliminating a daughter who did nothing but whine to her parents. I thought I needed her, since I’d planned to have her play a big role in uncovering her father’s deep secret. Then I realized that her younger sister, who was hiding a secret of her own, could do the job. Two birds with one stone! And I don’t have to listen to that awful whining girl a minute longer!

3. Create a Flashback Dump

One reason my novels limp along when I first start writing them is because I’ve clogged the front half with too many flashbacks. This is an essential part of my writing process, because it lets me get to know my characters. I learn their histories, hear their voices, and start to sprinkle fairy dust to bring them to life. Eventually, though, I get so frustrated moving pieces around that I have to create a “Flashback Dump,” an actual file of flashbacks. I continue writing the draft without flashbacks, and then go fishing in the dump later to see if there is any useful back story that will add depth and nuances to scenes in an organic way.

4. Give Your Book Time to Grow

I once had a writing teacher tell me that every book should be allowed to be a child—no rules, no manners. Play time! Later, once the book has grown to its full height (or page count), you can demand more of it and tell it to shape up. This may take six months or six years. It will definitely take some healthy dieting (cutting) and hygiene lessons (cleaning up messy grammar and off-the-shelf imagery). Oh, and you’ll need your book to be more confident, too, about showing its narrative tension. Finally, your book will be a young adult, ready to go out into the world with shiny shoes and a new haircut, prepared to strut its best self.

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Categories: Beach Plum Island, Beginning Writers, Chance Harbor, Contemporary Fiction, Fiction Writing, Haven Lake, How to Revise a Novel, How to Write a Novel, Imagery in Writing, Penguin, Persistence, Traditional Publishing, Uncategorized, Writing Tags: Chance Harbor, characters, creativity, editing your manuscript, fiction writing, flashbacks, grammar, how to plot a novel, how to write a novel, revising, strategies for crafting a novel, strategies for fighting writer's block, word count, writer's block, writing

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About the Author

Holly Robinson is a novelist, journalist and celebrity ghost writer. She and her husband have five children and a stubborn Pekingese. They currently divide their time between Massachusetts and Prince Edward Island, and are crazy enough to be fixing up old houses one shingle at a time in both places.

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    5 Comments

  1. Michelle James says

    September 24, 2015 at 8:42 am

    As I read your post, I thought about, “Why is this one so hard?”
    1. Start somewhere new – I do this in everything I write from stories to blog posts to business letters. Say what you want to say (I usually have to go back and edit this one, especially if I am complaining to a company about product/service). I helps set the mood and defines a goal.
    2. Ditch Characters Who Annoy You – since I have yet to start a novel, this isn’t as problematic for me. This is where I go back any delete anything I don’t feel fits or has potential value This is of most value in letter writing. After a cooling off period, I can go back and omit all the swear words about their #@%*&# appliance that I’ve called about #@%*&# number of times and their #@%*&# service department hasnt’t gotten it right yet, and if they don’t come and fix it, I’m going to dump their #@%*&# product in my front yard with a huge sign on it! Or in prose, I might decide to dump a character.
    3. Create a Flashback Dump – Again, since I’ve not written a novel, I would’t call it a dump, but rather a pile.
    4. Give Your Book Time to Grow – This is important in any kind of writing. Let it simmer on the back burner a bit to make sure you are saying what you interned to say, included all supporting facts, notes, characters, and yes, edit and proofread.
    Holly, unfailingly take something away from your posts, whether it’s a chuckle or useful information. Love your blog. As ever, I am looking forward to reading this new book you are working on.

    Reply
    • Michelle James says

      September 24, 2015 at 8:43 am

      Maybe this one is so hard because currently, you have so much on your plate.

      Reply
    • Holly Robinson says

      September 24, 2015 at 8:45 am

      Ah, Michelle, you are so right–we can apply these rules to so many things in life, especially the “give it time” rule, right? And, yes, you’re right, a lot on my plate–but so much to be thankful for. As always, thank you for taking the time to read my posts and comment.

      Reply
  2. Pamela says

    September 29, 2015 at 7:50 am

    Ah, thank you thank you, I say as I’m struggling with my third book, hands in my hair, pulling, wondering WHEN will it all come together? And yes, I’ve written about 100 pages. Bingo. Backstories are in there, character development, plotting problems. I love your suggestions. But mostly, I love hearing from other writers who struggle with their next book. Each one is our baby, and each one has colic in the beginning…. !
    I live in the Boston area and look forward to meeting you at the Maynard Library in October – is that correct?

    Reply
    • Holly Robinson says

      September 29, 2015 at 8:52 am

      Pamela, as someone who had a baby with colic, I think this is the PERFECT metaphor! Thank you for reading & commenting. I look forward to meeting you, too! Yes, Sonja Yoerg and I will be at the Maynard Library on October 13 at 7 pm–come join us and ask us about writing & publishing! We’d love to chat.

      Reply

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